For full details of my research, see: https://orcid.org/0000-0002-9695-0494
Books
My first monograph, Black British Women’s Theatre: Intersectionality, Archives, Aesthetics (Palgrave Macmillan, 2020), recovers from various formal and informal archives a history of non-naturalistic theatre by black women in Britain, from the 1980s to the present day. See: https://www.springer.com/gb/book/9783030514587
Journal articles
(2014) ‘Staging the Unsayable: debbie tucker green’s Political Theatre’ in Journal of Contemporary Drama in English (2.1) pp. 113-130. DOI: http://dx.doi.org/10.1515/jcde-2014-0009
Book chapters
(2019) ‘Forging connections: Anthologies, arts collectives, and the politics of inclusion’, in The Cambridge History of Black and Asian British Writing, eds Susheila Nasta and Mark Stein (Cambridge University Press). ISBN: 9781108164146
(2017) ‘Sensory signification in ‘Juniper’s Whitening’ and ‘Victimese’, in ‘Telling it Slant’: Critical Approaches to Helen Oyeyemi, eds Chloe Buckley and Sarah Ilott (Eastbourne Academic), pp.93-112. ISBN: 978-1-84519-790-2
(2014) ‘Looking Back: Winsome Pinnock’s Politics of Representation’ in Modern and Contemporary Black British Drama, eds Mary Brewer, Lynette Goddard and Deirdre Osborne (Palgrave Macmillan), pp. 95-111. ISBN: 9780230303195
(2012) ‘Bernard Spencer’s Compositional Processes’ in Bernard Spencer: Essays on his Poetry & Life, ed Peter Robinson (Shearsman Books), pp.104-117. ISBN: 978-1-84861-254-9